June 2008
First Time Novelist, Veteran Offer Stunning New Works
Child 44 is Tom Rob Smith’s first novel; Lush Life is Richard Price’s eighth—but in each case you’d never know it. Smith writes like a skillful old pro, Price like an enthusiastic new novelist. It’s hard to imagine these books being any different—or any better.
Set in 2003 in Manhattan’s Lower East Side, Lush Life is as street as any literary novel can be. Richard Price knows the American city, understands its inhabitants—how they look, how they sound, how they interact, how and why they hurt themselves and kill each other. -read on-
Free Book Offer: To receive a complimentary copy of one of Michael Lister’s novels,
send your address to MichaelLister@mchsi.com
May 2008
When Good Writers Write Mediocre Books
It’s inevitable—unless you’re Harper Lee or Margaret Mitchell—write enough books and not all of them will be your best. The question for those of us who write and publish is just how not-our-best our not best books are.
I don’t know a single writer who starts out by saying, “I’m going to write a sub-par book,” but sometimes, despite our best efforts, they just end up that way. Writing a book is a long, idiosyncratic, arduous endeavor. The time between “Once upon a time” and “The end” is often several years. And no matter how long it takes, as authors, we’re not exactly objective about our work. That’s what editors, readers, and critics are for. -read on-
April 2008
True Love or Just a Fling?—a Book for Every Booklover
Spring is in the air, and with it, the bloom of romance.
Whether you're looking for booklove or just a little booklust, the right book is out there for you. Two promising possibilities are Gregg Hurwitz's The Crime Writer and Benjamin Black's The Silver Swan . -read on-
March 2008
The Art of Adaptation
How does one art form become another? It’s something I’ve been thinking about a lot lately.
For the past six weeks, I’ve been teaching a class at Gulf Coast Community College called The Art of Adaptation. In it, students in the educational encore program and I have examined the relationship between film and literature, how the latter becomes the former, how the former influences the latter. -read on-
February 2008
Pulp Fiction Lollapalooza
The romantic in me imagines that the pulp fiction magazines I read began as north Florida slash pines like the ones that line our rural highways and frame our country dirt roads. I've also always wanted special editions of my books printed on paper produced from the pine trees of the panhandle that I write about, but that's another matter.
Pulp magazines or pulp fiction or “the pulps” were inexpensive fiction magazines published widely in the 1920s, 30s, and 40s, though the term has also been applied to mass market paperbacks since the 1950s.
As I alluded to earlier, the name “pulp” comes from the cheap wood pulp paper used to print these magazines. -read on-
January 2008
My Top 7 of 2007
Year-end Lists are strikingly subjective. Mine is no exception. Nothing to be done for it—except perhaps the act of acknowledgment.
Even if, in my review column, I strive for a certain measure of objectivity, I can't claim the same for a Top 7 of 2007. I've read only a tiny fraction of the crime books published this past year.
In addition to the above concern, there's the absurdity of trying to rank art. We're talking about works of imagination, expressions of the soul, not prize pigs, pies, or poultry in a county fair contest.
-read on-
Free Book Offer: To receive a complimentary copy of one of Michael Lister's novels, send your address to MichaelLister@mchsi.com
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